Hear that squealing noise? Those were my brakes.

This past week, I've been going through some major changes. I have to stop dyeing the way I have been.

For the time being, I can't use the Ciba dyes inside my house. I'm too concerned about traces of the dye getting into my system and into my family's system. I mix the powders in the little laundry nook in my bedroom (wearing gloves and a respirator), but I have some concern about the powders spreading out into the sleeping space. I mix the dye stocks in the laundry room too, which involves opening and closing a lot of jars, all of which have dried dye on the edge, which can spread more powder.

I handpaint the fibers in my kitchen. I put down a big shower curtain with a towel on top of it, but still, splashes occur, and since I'm still opening and closing plastic tubs with dried dye around the edge, there's probably some powder spreading. In the cooking area.

Step 1: No dye in the house. It's on my covered front porch now, in a big wooden bin.

Step 2: Figure out how to colour fiber without going back on Step 1.

So this is where I am. I see two options: use new dye, or dye outside the house.

The new dye possibility is Wilton's. Wilton's is an icing dye, available for purchase at Michael's Craft Store. It's expensive, but it's a cost I don't mind eating if it makes a difference. The reports on Wilton's aren't great, though. It's very difficult to manage (some of the colours -- several of the colours, in fact -- split like crazy, making predictable results hard to achieve), and it's not as light- and colour-fast as the professional grade dyes. I know of one Etsy seller who is very successful using it, but I'm skeptical. And my early experiments have not gone well. I'd post a picture of the bad, bad colours, but it's just embarrassing. Also, there isn't a decent black with Wilton's.

i just got tipped off about a "Green" dye with no heavy metals in it. I have contacted the company about their MSDS sheet and am waiting to hear. We'll see.

The other option is to dye outside my house. This would involve having someone else mix my dye stocks (I'm sure I can find a teenager who will do it for the right price), and having me retreat to my covered front porch to mix my colours and paint the wool. I would dye using a crock pot and maybe this cooker I found at Canadian Tire. I hear Felicia of Sweet Georgia uses an outdoor turkey roaster, and I'll be emailing her about that. The downside of this option is that a) it's cold and damp out there for most of the next 6 months, and b) it's a bit expensive, what with cooking outside and all the heat waste that implies.

Whichever of these options I choose, it still means that I'm pretty much only making enough fiber for my own spinning purposes. I can't see doing production dyeing with these methods. I might be able to do some fiber sales in the form of carded batts, and I'm willing to try to expand that, but so far my batts haven't been big sellers.

No fiber sales, that hurts. Fiber sales is 80% of my business right now, and for the past few months I've sold close to $1000 worth each month. Putting a total stop to that will hurt my bottom line, and I'm not doing this business as a hobby. It's a valuable part of my household budget.

The bright side is that, if ever there was a time to really push my yarn sales, the beginning of autumn is it. And I have 5 knitting classes starting in a few weeks; hopefully that will become a more significant source of income. And teaching? Completely non-toxic. I can do lots of that, and no protective equipment is necessary.

So that's where I'm at -- going out of my tree, more or less. Any attempt at helpful information or friendly hand-holding will be appreciated.

Meet my new baby

I now have visual aids to help those of you not already imbued with carded-batt lust understand what the big deal is.

Here is my new drum carder, and a basket of fiber "nibbles" (1 oz bits) that I am preparing to blend by carding:



I'm sorry to say that I don't know what kind of carder I bought. I have a piece of paper that tells me. All I know is, it was a price I could afford, and good deal according to Irene the Fiber Goddess who brokered the deal, and after I fiddled with the positioning of the drum for a bit, it works. So I'm as happy as can be.

Here is a before and during photo -- the dyed roving before carding, and a drum with a batt on it, not yet removed:


Here is what a batt looks like, carefully folded and glowing in today's lovely sunshine:


And here is my in progress, personal carding project -- my attempt to make something like tweed. I'm using some dark BFL that I dyed burgundy, and all of my considerable leftover bits of wool from the past several months' spinning:


I can't wait to spin it up. I plan a worsted weight yarn done long-draw, to preserve the excellent wooliness of the BFL. If all goes well, I'll use the wool for my next self-designed sweater. I always make a personal project as a model when I teach my 8-week class in knitting sweaters without a pattern. For the past two classes, I've done a kid's sweater so I could be sure that I would finish each stage in time to demonstrate it, but I'm feeling ambitious these days (must be the sunshine). My Fall teaching at the Port Moody Arts Centre is confirmed, and my sweaters class is going ahead pending registration, so I have until September to finish the spinning. Maybe I'll knit the body in advance, come to think of it; that doesn't need to be demo'd.

Weather into the weekend is good, and if the Port Moody Knitters group on Ravelry is anything to go by, it looks like we'll have at least a half-dozen people at this weekend's Fiber Party, maybe more. I'm looking forward to it.

Keepin' it real

I've been taking a proper spinning class, and despite the humbling feeling of not knowing how to make my fingers interact with the fiber in such a way as to produce knittable yarn, I've been enjoying it tremendously. But this week, I'm positively singing with creative possibilities.

On the first day of the class, we touched raw fleece and did a little carding, to get the feel for how to separate and then line up the fibers, how to draft and add enough twist. The carding was cool, and it did produce the most lovely little fiber nibbles, but I couldn't honestly see how it was useful for doing volume work -- and it's not. It's a technique for those who have all the time in the world to just enjoy fondling fibers.

Cut to now, some 9 classes later, and we're all working on the long draw drafting technique. For those of you who don't spin, it's like this -- you build up a bunch of twist on a short bit of the yarn you have just made, pinching it so the twist doesn't travel down, then (if all goes well) you quickly swoop your fiber-holding hand down and away, and a perfectly even strand appears almost like magic from the fiber mass.

If all goes well. In practice, my early experiments with this technique have led to slubs, micro-fine thread, and broken bit after broken bit.

I'm not tangenting. Back to fiber preparation now. Last week, we were given some dyed but otherwise unprocessed Romney wool, and told to card and spin it. Carding, as well as neatening up the lanolin-covered fibers considerably, blended the colours up -- yum. Here is my basket of hand carded, sprinkle-dyed, raw romney locks:



I spun them using the long draw method, and even though the fibers were not expertly carded (read: they were still tangled), and even though they were sticky as all get-out with lanolin, I still managed a relatively smooth (read: I didn't keep breaking the strand as I made it) long draw. I felt proud. (I'd show you the yarn I spun, but there is no good light for taking a picture right now; I'll try to take one tomorrow.)

Today in class, I used the drum carder. I created a batt, which is much like a rolag except bigger. The fibers were all aligned, but they were so airy and light, they just drafted like a dream. I actually achieved the "swoop" with very little breakage and slubbing.

So, here are the pieces I have put together now. 1) Home fiber preparation, leading to airy fibers and the possibility of creating my own blends of fiber type and colour. 2) A successful, quick long-draw.

Suddenly, exciting yarn possibilities are open to me. Heathered yarn, which is made from different coloured fibers blended together to create a single colour of marvellous depth and movement, like watershot taffeta, is a possibility now. Tweed is possible.

Did you hear me? Tweed. Am I the only one who gets a somewhat indecent thrill at the idea of a gorgeous tweed?

I have this bag of dark blue faced leicester that I've been saving to do something special with, and I think I have a plan now. I'm going to dye it either blue-red or magenta. I'm going to drum card it with flecks of electric blue, canary yellow, and forest green. I'm going to make tweed batts, spin it up to a worsted or aran weight, and make myself a sweater. A hooded sweater -- it will be my demo project for the next class I teach in knitting sweaters without a pattern.

Then I will never take it off, not ever.

Anyone have a drum carder for sale? I'm looking to buy.

Buy Local

Just a quick note to remind folks that I will be at the Coquitlam Farmer's Market tomorrow. I have a huge variety of my yarn, so if you want to see everything I have all at once, the Market is the place to do that.

I have less fiber than I'd like though. My sales this month have been overwhelming -- which is great! -- so my stock is low. I have 18 lbs of BFL on order that will likely arrive in time for me to dye on Friday, so expect new stuff to start being available as of May 26th.

I have returned to making sock yarn. I took a long break from doing that, because I just wasn't satisfied with what I was producing -- it didn't match the picture in my mind. I've been learning tons from my spinning class though, and the other day I produced a 165 gram skein of DK weight yarn that makes me really happy. It's here, if you want to see. I used a worsted drawing technique, fresh fiber, low tension, and very even plying -- I'm very happy with the results. Happy enough that I might, just might, make more.

If you're in the GVA, come visit me tomorrow!

Moving too fast to blog...

I just looked in my little dyeing notebook -- I keep something resembling actual records now, which is a big shift for me -- and it tells me that I have dyed 19 3/4 lbs of wool this week. That's probably a record, although of course I can't be sure since I just started keeping this notebook. It's a lot of wool, in any case. More than 50% of that will be sold as fiber, but I aim to have a good 30% of it spun up by Thursday of next week (the last day I can have skeins in the water for finishing, and still have them dry by Sunday). My to do list -- it's colourful, but it's long.

So I'm moving a little too fast to blog at the moment. I would love to show you what 19.75 lbs looks like, but honestly, some of it is in my spinning basket, some of it is already braided up, some is piled up waiting to be braided, some is still wet outside and one pound is still in my oven. I can show you what Day 1 of dyeing looked like:





My big success this week is finally creating a "Ianto" roving that is exactly what I pictured in my head. This colourway involves two shades of purple, and my violet dye is one of those that intensifies 10x in the dyepot -- purple has often defeated me. My solution was to stop using that dye to try to create purple. Instead, I use red, magenta, turquoise, and cobalt in various combinations to get the shades I want. So I'm very pleased. Not only did I get the roving to turn out just like I wanted it, but I know what I did, so I can reliably duplicate my results. Probably. Won't know until I try again! I also (to continue the Whoverse theme) redid my Tardis colourway and got results I'm pleased with -- but I'm still going to refine that one. I'll post my Tardis roving tomorrow on Etsy.

Lastly, my BSJ is finished except for blocking and buttons. It should fit a largish 2 year old, and it took 5 skeins of Yummy Yarn. It's sooo cushy and pretty.

I'm doing it all wrong

"Anything worth doing, is worth doing badly."

This has been a mantra of mine for a long time, ever since I read it...somewhere...and I'm reminding myself of it today. Because yesterday, I learned that I was spinning badly. I'm doing it all wrong. And it's the lesson I expected to learn -- I am self-taught after all, and I'm not usually big on autodidacticism, I think it leads to bad habits and stunted skills. So I wasn't shocked and offended or anything, but even still it was a bit of a tough pill to swallow.

It's hard to learn new things at any stage, but when you're a child, there are so few things you know, and even fewer that you know well, so it's not quite as much of a risk to the ego to try doing something new. As we grow older, though, we learn what it feels like to master skills, learning sets, facts, and paradigms. We put it all on the line when we try -- and risk failing at -- something new. It takes, I think, a greater deal of bravery to try something new the older you get. It's why some people simply stop trying new things.

The rewards are tremendous, though. Today, I feel that childlike sense of possibility and confidence, the voice that says, I can't do this, but I'll practice, and then I'll be good! And that feeling is why some other people keep trying new things. When I was little, my mom expressed admiration for an 80-year old friend of hers. For her 80th birthday, this friend asked for an 8-volume set of the history of China. Because she didn't know anything at all about China, and wanted to learn. I was kind of inspired then, and I continue to be now.

The fact that I clearly have so much to learn, more than I thought I did going into this, is good news in one way though. These classes are pricey. They're the perfectly correct price, given that they're comprehensive, thorough lessons taught by a highly skilled instructor, but it's a chunk out of my budget to be taking them, which is one of the reasons I waited this long to sign up. So the good news is this -- since I have so very much to learn, I am definitely getting my money's worth.

Back to it

Well that was a lovely little break. I have been working, but really, not much. I'm kind of amazed by how long it has taken me (is taking me) to get back to my usual work rhythm. Partly, I was really wiped by Fibrefest, and partly, life just sort of took over. It's the curse of the work-at-home-mom -- if an errand needs to be done, then the one who works at home is going to be the one to give up work time to do it. And I get that, it makes sense. I don't need to book time off with anyone, rearrange meetings, file paperwork with HR. But still, there have been a lot of little things -- holidays that preschool takes but not any other business, illnesses, etc -- and they have taken over 50% of my usual three days a week working time lately.

But I'm back to it! I spent Tuesday communing with the dyepots, and dyed 8lbs of corriedale. The current batch is possibly even lovelier than usual; Hello Yarn is such a great supplier, so reliable and affordable. Can't say enough good about them and their product. Here is some of what I have dyed:



The current batch of BFL is sort of intriguing. It has an incredibly soft hand, and the fibers are long and very fluffy. It's wonderful to spin, soft, a bit soapy/silky to draft. However, there are these regular little tufts of very short hairs. Any spinners know what those are? They must be something that's usually combed out, that wasn't in this batch. Anyway, it's spinning up fine, but I'm having to slow down and be careful when I get to the short-ish bits.

In other news, I have signed up for the comprehensive spinning class at Place des Arts starting next week. Here's my little secret -- I'm a beginner spinner. I can do a couple types of yarn rather well, so I'm confident about what I offer for sale, but my range of skills is not high. I'm looking forward to this course, so that I can learn the basics right from the dirty-fleece stage, fill in gaps in my basic knowledge, and extend my skills so that I can spin different types of fiber with confidence. I have learned as much as I can by myself, with YouTube videos and experimenting, and I'm looking forward to learning from a real live teacher in a classroom situation.

And to close -- here is some yarn to look at. I am still trying to perfect the colourway "Ianto." Torchwood fans -- waddya think of this batch? I didn't get the charcoal element in, quite, but if you see it as just a tie-shirt combo, it's rather good I think.